The fact that an ingenious, post-punk Boston act from the early '80s happened to arrive immediately on the heels of a far more seminal post-punk band from the same town, who by the way had just waved their collective white flag, strikes me as too much of a coincidence, but in the case of
Three Hands, I have a feeling it was merely that and nothing deliberate. Though similarities to Mission of Burma emanate from both sides of this ace 45, I don't believe this unheralded trio had any intention of usurping the throne belonging to Roger Miller and Co. However modest or ambitious Three Hands' aspirations were is entirely irrelevant at this point, and hardly factor into
Mark Kopenits ringing, clangy fretboard maneuvers that gracefully tumble down like a waterfall of minor-chord arpeggios, imbuing "Climb" with so much of it's texture and panache. "Big Person" places more emphasis on choppy rhythms than melodic riffs, and as such acts as a fitting counterpart to the aforementioned "Climb." According to a post on
New Wave Outpost, this wasn't Three Hands only single, and on a sadder note, Kopenits passed away in 2009.
A. Climb
B. Big Person
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